"The moral of this important and tear-stained book is actually a reminder: Bare oneself, fly into the grandest of jetés and live free."
— New York Times Book Review
These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell’s founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It’s thrilling to watch as they join forces at last and claim their unique place in American ballet’s past, present and future.”
— Margo Jefferson, author of Constructing a Nervous System
“A skilled storyteller with an eye for significant details and thematic complexity…[A] dynamic, tumultuous, and inspiring journey of the five central ballerinas, the book is deeply researched and full of heart. A rich, detailed, and complex history of Harlem’s first prima ballerinas.”
— Kirkus Reviews